Strong scents with intense notes usually work well for date nights and parties.
Sultry or musky scents may be a special option for a date or night out.
If you’re looking for an everyday scent, something fresh and bright may be best. Consider where and when you plan to wear fragrance. What to Look For in Fragrances Fragrance Typeįragrance is a personal choice, and you might find you prefer different fragrances for different occasions. Victoria’s Secret Love (view at Victoria's Secret) comes in as a close second for its comforting, skin-but-better, romantic scent profile, and the fact that it's understated but still leaves a trail. The fruity-floral is one of America’s top-selling scents, and with delicious notes like passion fruit and orchid, we can see why. But team Byrdie unanimously agrees that Bombshell (view at Victoria's Secret) is pretty special. It does not glorify a family pretending to be ” maids” when they lived like pampered queens.Scent is a very personal thing, and your preferences will definitely dictate your fragrance of choice. It does not revise history, it promotes it, collectively in our community.
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I rather watch a cultural performance for free in a barangay festival. The poor Filipino will pay Php 700 to watch the film.
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Otherwise, the movie will only ruin them than build them up. There are brighter sides of a story, if the film is balanced enough with the atrocities, killings, corruption, over-spending and unchecked lifestyle then it has its own merit. FM and Imelda were unmindful as the family shut off the Philippine media to the world. Manila Mayor Mel Mathay was her “taga-hawak” to go down and up the luxurious bus shuttling her from Makaçañang to CCP and into the cement wall covered shanties of Manila she hide to diplomats while the famine in Negros was a reality, the rural Filipinos had USAid donated nutribun bread to eat, sugar and coconut revenues went to their cronies while sequestering and closing leading enterprises unfriendly to the Marcoses, Imee knew it was happening while they partied with paid Hollywood celebrities in the palace. Umbrella over her head like a queen, a huge bus as her limousine completes with a bar, lounge, dressing room and sound proof curtain certainly bullet proof I assume. Imelda said, those in the squatter areas must see an angel in her, in her thousands worth of one-time use gown, showering herself with Chanel perfume and coiffured to the max. The masses glorified those images in the FM and Imelda film, they were in awe, even when their stomach was empty. And well, the over staying self-proclaimed “royal family” of their dream “Maharlika” kingdom. I remember when I was a teener, Ferdinand Marcos and Imelda created a movie about them, well, in a perfumed garden images of feeling as royalties of the Philippines. Else, it is just trying too hard to correct their images which history has already written in books, documentaries, periodicals, newspapers and textbooks. If that reason is explained in the film, I may be convinced to watch it. If the palace was the house of Filipinos who pays for it, why did the Filipinos drive them away? There must be a reason. Yes, as long as he could and his family be in the palace. FM issued Proclamation 1081 in September 1972, placing the entirety of the Philippines under Martial Law and effectively extending his term indefinitely. Afterall, the palace is owned by Filipinos of any status in society, it does not belong to 20 years overstaying dictators in Malacanang they wanted to live there forever. The good Filipinos did not destroy the palace, they did not set it on fire nor did they ransack it, they only took the down the huge paintings and photos of the Marcoses with their pretentious royal family sashes and coronets - and all tore them into pieces. If these were in the movie, the truth will prevail. Right before my eyes- I saw boxes after boxes of crates lining up the hallways containing their paintings and valuables, the shoes of Imelda and her huge bottles of perfume she can take a bath out of them, her magnanimous canopied queen-like bedroom separated from the room of FM where the medical ” life support” machines of FM were kept secret from Filipinos, the rumbled furniture in the rooms, the mess in their dining table and the unfinished eaten banana–signifying they left in haste. I was physically there inside the palace with friends from the French embassy (whom I accompanied as I lived nearby the palace) on the very eve when the Filipinos moved in to drive them out. A film barely few months in office for the family to try to cleanse itself is simply a self-promotion to revise what happened in Malacañang when they were ousted out of the palace by angry citizens.
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